The advance of Internet use has drastically changed the
economics of the music industry over the last decade. Over the last ten years music
sales have dropped. Musicians and artists have had to adapt the changes to
be successful. Those changes include how they market, whom they market to and
what they market for.
Julien Mitelberg wrote and article for the Huffington Post called
“Push,
Don’t Shove – Music Marketing That Actually Works.” In the article
Mitelberg discusses the concepts of “push” and “pull” marketing online. To
paraphrase Mitelberg’s definition of the two concepts:
1.
Push
marketing is a straightforward approach that forces the information about
your music or tour date on the prospective customer through the distribution of
advertisement.
2.
Pull
marketing is more of a backdoor approach that helps the prospective
customer find you on the Internet.
Although many of us are more inclined to be less pushy and
want the fans to find us, the more affective way to sell the product or service
in music seems to be the push strategy. Mitelberg includes a study
by Bandsintown, which can help us to better understand what brings concert attendees
to the show. The study showed that prospects are most likely to respond to
“push’ marketing strategies.
Mitelberg made the following statement, which reflects his
analysis of the Bandsintown study:
“More than 80 percent of music fans surveyed said that
Facebook posts and email blasts inspire them to purchase concert tickets,
compared to more traditional outlets like magazines, newspapers, or even
blogs.”
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