Sunday, September 16, 2012

Publishers in the music business and why the songwriter may need to become one

As a songwriter there are many aspects of the music industry that we need to understand to truly be successful. The first skill we need to have is a desire and ability to write songs. The next most important skill we need is the ability to market that song. That’s where at the publisher comes in.


A publisher has many roles that have everything to do with getting your songs and music on albums and airplay. As stated in the Music Publishing Overview Tutorial, a publisher’s job is to issue license your work to others for use. In other words, you would partner with a publisher to shop your songs and issue a license to record labels to use the song for albums or a movie production company for a major motion picture. In some sense you can call them a type of middleman between the songwriter and the company that uses the song.

Publishing Deals:

There are typically 3 types of publishing deals. The first is called a full publishing deal. In a full publishing deal the publisher you contract with gets 100% of the publishing and administrative rights. The second is called a co-publishing deal where that deal would be a 50/50 split between you and the publisher you choose to work with. Choice two assumes that you have developed and registered your own publishing company. The third is called an administration deal, which only gives the publishing company the administration rights to the work.

Out of the three types of deals the co-publishing deal may be the best choice for the songwriter’s pockets. Remember publishers get paid on all works they are contracted for which could include performance, mechanic, and visualization royalties. As a songwriter you want to keep as much of that in your pocket as possible. A co-publishing deal works is detailed in the following chart.


The above chart shows you the songwriter and publisher getting 75% of the song royalty. 25% would go to the publisher you partner with. 100% of the publishing wrights would only be 50% of the royalty for the song. If you sign 100% of the publishing wrights to someone else you would be signing over 50% of you the song rights away as well. It pays to become a publisher and keep more of your money.

Check out the following links for more information on publishers in the music business.

2 comments:

  1. I really found this article insightful. Though I am not a songwriter I manage an artist who writes original material. The videos and various publishing deals gave me things to consider within our contracts. Great post!

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